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Introducing China’s first sink dishwasher

Fotile, the country’s top kitchen brand, unlocks a new category.

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Case study
Case Studies
Breakthrough Products
Industrial & Manufacturing

IDEO and Fotile have had a relationship since 2009, working together on projects including a unified design language for product offerings, retail environments, and IoT strategy. For the dishwasher, IDEO and the Fotile research team came together for design research, shadowing Chinese families in different cities as they prepared meals from start to finish. Together they discovered that unlike in Western cooking, where several kinds of cookware are used for different dishes, Chinese cooks tend to use the same cookware to prepare all of their dishes.

That meant that the cookware needed to be cleaned several times during a single meal preparation, rather than once at the end. In this context, the sink serves different purposes over the course of cooking—it’s a place to wash and store prepped ingredients, rinse the cookware, and deep clean the dishes used in food prep and during the meal.

Based on this insight, IDEO made a list of product design recommendations that became Fotile’s Sink Dishwasher—a counter-level, multi-purpose appliance that specifically suits Chinese cooking habits. IDEO’s design guidance gave Fotile the confidence it needed to launch its product into the market, and served as a blueprint for the future iteration of Fotile’s Sink Dishwasher.

On March 25, 2015, six months after the project ended, Fotile launched the world's first sink dishwasher designed for Chinese families. Eight months later, its market share exceeded 30 percent, setting off a wave of innovation in the Chinese dishwasher category.

In 2016, Fotile introduced a three-slot dishwasher with an added compartment for cleaning fruit and vegetables—a direct response to a research finding that Chinese families are concerned about food safety. When this new model hit the market, Fotile’s dishwasher market share jumped to 41.1%. In China, Fotile is now synonymous with “sink dishwasher,” and the company has a widespread reputation among consumers as a symbol of a safe and healthy Chinese family kitchen.

Since its founding in 1994, Fotile’s Chairman, Mao Zhongqun, has made it his goal to “do nothing but build a high-end Chinese family brand.”

30%

Fotile Sink Dishwasher’s share of the market in China, just eight months after launch

41%

Fotile’s dishwasher market share after it launched a three-slot version in 2016

#1 selling brand

in the mainstream price segment of the Chinese dishwasher market as of August 2023
Despite the success of China’s technology industry in recent years, the country’s manufacturing companies are still working their way up in the value chain. Fotile is one of the few that has broken through. Fotile’s commitment to research and development enabled the company to break into the premium category—traditionally dominated by foreign brands—with a range hood optimized for Chinese cooking. But in its quest to become a primary brand, Fotile needed to evolve beyond one revolutionary product and create a suite of products that respond to China’s specific consumer demands. Next up? A dishwasher, which was fairly uncommon in Chinese households. In 2014, Fotile had a working prototype of a dishwasher that could fit in a kitchen sink, but manufacturers around them had failed to bring similar products to market. Fotile came to IDEO for help figuring out whether the device was something Chinese families would actually pay for.
Fotile locks its primary brand status with a second kitchen appliance.
Fotile builds on its primary brand status with an in-sink dishwasher.
Fotile
China
Fotile
Introducing China’s first sink dishwasher, Fotile, manufacturing innovation, industrial design, brand strategy, brand design, brand identity, brand experience, product design, new product development, prototyping, rapid prototyping, design sprint, user research, customer research, consumer insights, understanding user needs, how to build a brand, innovation, strategy, research, product development, retail, what do customers want

Growing a brand for modern Chinese parents

China’s BoAo Group expands from an auto industry manufacturer to a lifestyle brand for modern families.

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Case study
Case Studies
Breakthrough Products
Creative Capabilities
Consumer Products & Retail

BoAo Group’s idea to design a new baby car seat was fueled by a newly revised minor protection law, which made using child safety seats mandatory beginning June 1st, 2021. As ZUOWE and IDEO looked around China’s emerging car seat market, the team noticed a singular focus on safety and safety features across most international and domestic brands. There was a clear opportunity for a new product that could meaningfully differentiate itself by not only providing safety features but also meeting the needs of modern Chinese parents.

To kick off the project, the IDEO team needed to answer two questions: What matters to the new generation of parents in China? And how will their style and approach to parenting affect their expectations for baby car seats? Taking into account the potentially different consumer needs in different geographies, the IDEO team headed to Shanghai, a city with more than 25 million people, and the city of Taizhou in Zhejiang province, which has a population of 2 million. They conducted in-depth home visits to local families, visited many brick-and-mortar mom-and-baby shops, and interviewed people like specialized nurses, parenting experts, and child psychologists. 

Despite the differences between the two cities, IDEO discovered commonalities during consumer conversations. Young Chinese parents were experiencing a perceived identity gap. As individuals, they felt they had distinct personalities and a clear sense of self. They actively expressed themselves through their clothes and belongings. But when they became parents, this sense of self weakened or disappeared completely.  Their identities shifted to being someone’s mom or dad overnight. This new generation was eager to show their unique approach to parenthood as they used to express their sense of self. But many products were designed for children, with little regard for parents. 

This core finding helped set the direction for the new baby car seat design and brand Maple&Co. However, there were still two significant challenges to overcome. One, IDEO needed to design a product with stringent technical regulations and standards on a tight timeline—ZUOWE wanted to launch the new car seat at an important industry trade show within the year. And two, the team had to help the organization transform its thinking and ways of working to be more consumer-centric.

BoAo’s strength lies in its 20 years of experience developing and manufacturing car seats for major domestic and international automotive brands. This gave the company an edge in overcoming technical barriers and driving mass production. But its engineering and manufacturing mindset had become a barrier to transforming into a D2C brand. With such ingrained ways of working, pivoting to a more creative process can be hard. 

To address this hurdle, IDEO set up co-creation workshops, bringing together ZUOWE’s newly formed baby car seat team and manufacturing experts from their factories to discuss design direction and details early on. The benefits of the collaboration were clear: It was easy to share feedback in a timely manner and make product design decisions very quickly. When IDEO presented a design that emphasized natural textures during a workshop on brand positioning, a member from Bo Ao’s manufacturing team said, “This feels very different. This could become a major selling point,” and that they had “never seen” anything like it done by other baby car seat brands.

Early sketches exploring the real user scenarios of baby car seats

A year after working together, ZUOWE Technology launched Maple&Co and the new Maple baby car seat across its main e-commerce channels. Modern and minimalist in soft natural colors and wooden veneers, Maple appeals to the aesthetics of young parents in China. Despite a series of micro COVID outbreaks in China, within three months, Maple had already achieved better-than-predicted sales and received favorable comments about the look and quality of the car seat from parents. Fast forward two years, additional collaborations with IDEO have enabled the young startup to grow its child travel portfolio from a signature car seat into a more holistic offering that includes highly functional, fashionable, and adaptable car booster seats and strollers that thoughtfully address the needs of modern Chinese families across various life stages at home—and on the go.

China's minor protection law mandated the use of child safety seats beginning June 1, 2021.

Despite incoming regulations fueling a surge in purchases, car seats on the market rightly prioritized safety but did not consider the emotional needs and lifestyle preferences of a new generation of Chinese parents.

1 year

after the project ended, a new, differentiated baby seat product and brand, Maple&Co, launched

Top 6

during the 2023 “Double 11” shopping festival, Maple&CO secured the 6th spot on Tmall's new brand pre-sale list

As a business-to-business (B2B) company, BoAo Group has been developing and manufacturing car seats for decades. But the organization wanted to see if it could use its core manufacturing capabilities to expand into a direct-to-consumer (D2C) business and unlock a new growth stage. After the successful collaboration with IDEO and the launch of ZUOWE, the home office chair brand, in 2021, BoAo decided to leverage its new operational knowledge and continue applying its core capabilities to create more consumer products. It registered a new company focused on building new D2C product categories, ZUOWE Technology, and approached IDEO to design a new baby car seat for the modern generation of Chinese parents. In 2022, ZUOWE Technology launched the minimalist baby seat and a fresh, contemporary brand, Maple&Co, to much consumer acclaim. Building on these successes, Maple&Co and IDEO continued working together to grow the young startup’s D2C line of functional and fashionable travel products, including baby strollers and toddler booster seats.
BoAo Group breaks out of the automotive seat category to create products for a new generation.
BoAo Group breaks out of the automotive seat category to create products for a new generation.
BoAo Group
China
BoAo Group
Growing a brand for modern Chinese parents, BoAo Group, consumer products, retail, consumer experience, retail innovation, brand strategy, brand design, brand identity, brand experience, product design, industrial design, new product development, venture design, new business creation, business model innovation, growth strategy, business growth, scaling innovation, mobility design, future of mobility, employee experience, workplace design, team collaboration, design for children, family experience, youth experience, understanding user needs, how to launch a new business, how to build a brand, innovation, strategy, customer needs, product development, startup, transformation, mobility

How a $4000 vet bill sparked innovation at American Express

American Express and IDEO teamed up to design features that offer Card Members more payment control and flexibility.

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Case study
Case Studies
Strategic Futures
Breakthrough Products
Financial Services

“Over a year ago, I had to take my cat to the vet for an unexpected and expensive surgery,” says one Card Member. “To be honest, I still don’t know if I’ve paid the bill off.”

Many crave the flexibility to pay for large purchases over time, but also want to avoid the pitfalls of debt. Others rely on debit or cash for small items—no one wants to accumulate interest on a cup of coffee, lunch with a friend, or box of Kleenex—but then miss out on valuable rewards.

American Express worked with IDEO to help them attract new customers by understanding what financially stable young adults wanted in a credit card. The team began by interviewing more than 120 millennials to understand their payment behaviors around debit and credit, and how they think about borrowing and spending.

One person described the monthly panic of receiving his bill—described as “statement shock”—and his habit of making multiple payments before his billing cycle closed to ease this anxiety. Others were wary of credit because of a large veterinarian bill or financial mistakes made in their 20s, and relied on debit because it felt safer than accruing a balance to pay off. Overall, the team learned that many consumers experience anxiety about paying their bills. And while financial products that offer more flexibility and control have been needed for years, they are especially valuable in times of economic uncertainty like today.

Based on this research, IDEO prototyped, iterated, and refined two concepts, with frequent feedback from users and the client. Called Pay It Plan It, this feature offers financially responsible consumers more transparency, confidence, and control.

Pay It allows Card Members to quickly pay for small purchase amounts under $100 with a few taps in the American Express mobile app. When that purchase shows up on their account, they can choose “Pay It” and still earn rewards on the purchase. This ensures Card Members can take advantage of rewards while lowering their monthly bill by paying for smaller items throughout the month.

With Plan It, Card Members can split up larger purchases of $100 or more—like an emergency trip to the vet or a new sofa—into equal monthly payments, with a fixed fee and no interest. When the purchase appears in their account, they can select “Plan It,” and will be offered up to three monthly payment plans, ranging from three to 24 months. Each plan comes with a fixed monthly fee and no interest. Card Members know exactly how much they have to pay each month, so there are no surprises. And if they pay the purchase off early, they no longer have to pay any future plan fees.

The design of Pay It Plan It did not come without challenges: Bill pay is critical, complex, and highly regulated. Pay It Plan It required a significant internal financial and technical investment, which was achieved after IDEO shared many of the emotional, compelling stories from credit card users with leaders at American Express.

The team worked closely with the American Express regulatory and digital teams to ensure compliance and seamless integration into the mobile app and website’s user experiences and interfaces. To heighten the sense of competence, control, and transparency for users, the designers focused on small interactions like status animations, proactive suggestions, and straightforward language. These interactions help Card Members anticipate upcoming payments and clearly understand Pay It Plan It.

Plan It was designed with transparency, control, and accessibility in mind: The payment plan fee is displayed in dollars to give the customer certainty over their total costs.

Initially, the team set out to create a new credit card with the needs of young adults in mind. But IDEO and American Express realized that Pay It Plan It could be scaled across existing credit card products to ultimately benefit and attract more Card Members. Now, almost all U.S. American Express Consumer Card Members have access to Pay It Plan It through credit cards, co-branded cards, and the well-known Green, Gold, and Platinum Cards. Since launching in 2017, Card Members have created nearly 5 million Plans, totaling nearly $4 billion in purchases, with an average Plan size of $789. Millennial and Generation Z Card Members have created approximately 44 percent of these Plans.

The flexibility and control offered through Pay It Plan have earned American Express positive press, including a call-out in The New York Times for being among solutions that “make it easier for their customers to borrow money, and to manage their monthly cash flow.”

At first glance, design-led innovation may seem difficult to achieve in large, established organizations like American Express, operating in a highly regulated and deeply rational industry. But the IDEO and American Express team successfully found ways to introduce new behaviors like rapid prototyping, cross-discipline collaboration, and leading with emotional customer stories within the existing organizational culture and structure. American Express has since established a permanent Pay It Plan It team dedicated to evolving the feature. Made up of employees across departments, this points to a new and collaborative team structure for the company.

By seeking to understand the human behind the Card Member, American Express has transformed credit and financial services for the better, helping both to be defined by empathy, utility, and transparency.

Whether it's a replacement laptop, outdoor patio furniture, or faulty car transmission, many people need or want to make larger credit card purchases they can't pay off at the end of the month and end up accruing interest.
American Express and IDEO teamed up to design features that offer Card Members more payment control and flexibility.
More payment control and flexibility for American Express members.
American Express
American Express
How a $4000 vet bill sparked innovation at American Express, American Express, financial services, fintech, financial innovation, financial services innovation, banking experience, financial inclusion, mobility design, future of mobility, innovation strategy, business innovation, design innovation, how to innovate, innovation, strategy, research, prototyping, rapid prototyping, transformation, organizational culture, mobility

The bold publishing strategy that turned a traditional newspaper Into a digital leader

How bucking the trend of round-the-clock digital publishing led to an enormous payoff for The Times and The Sunday Times

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Case study
Case Studies
Breakthrough Products
Creative Capabilities
Media & Entertainment
Technology

For more than two centuries, The Times held a strong reputation as a storied British newspaper. Then came the digital deluge. Publication after publication began adopting a relentless online publishing schedule aimed at capturing eyeballs and subscribers, and guarding against waning advertising sales and print readership. But The Times and its sister publication The Sunday Times thought there might be a different way forward.

As Editor John Witherow explains, “the power of an edition” had long endured at The Times, but began to erode amid a round-the-clock breaking news cycle. Witherow didn’t want to do away with editions, but rather to update the model for the digital age. Times owner News UK approached IDEO in 2014 to explore exactly that: what the edition of the future might look like and how its design could drive revenue and subscribers.

IDEO’s research and design phase included interviews with readers, journalists, editors, and marketers at News UK. The team found that people’s reading modes vary—some reflecting new digital behaviors and others adhering more closely to paper-reading styles.

Readers, the team learned, chose The Times for its editorial opinion: a perspective that cuts through the overwhelming flood of information. They viewed the daily Times and weekend Sunday Times as one paper, despite the organizational distinction. And they were proud of their choice, valuing the papers’ consistency, trustworthiness, balance, and authoritativeness. Readers wanted these qualities distilled in a digital edition, whether on a smartphone, tablet, or on the web.

Those insights led to strategic recommendations spanning digital products, editorial, advertising integration, online membership offers, and social sharing. But the boldest among those was a publishing strategy that seemed to run counter to media trends: abandoning a real-time approach in favor of publishing separate digital editions.

The Times in March 2016 introduced an editions-based publishing schedule, with new editions available across all platforms four times each weekday: overnight, 9am, noon and 5pm; the weekend schedule shrank to three editions. A year in, they had broken that schedule fewer than a dozen times—making exceptions for major moments like the terror attack in central London and David Bowie’s death—but even in those cases, The Times refrained from incessant updates, instead resuming its regular pacing.

“The way we’re publishing now, taking our time over news...taking a more considered view of the world, it’s helped us offer something different from everything else,” digital news head Alan Hunter told Digiday in 2018. Readers demonstrated that this different approach was something they’d been wanting.

In the first half of 2016, new paying-subscriber sales were up 200% as compared to the same period in 2015. At the end of June 2016, there were 413,600 subscribers to The Times and The Sunday Times, up 3.4% from a year prior. Of those, 182,500 were digital-only subscriptions—a 6% rise and a notable figure given how much online news can be obtained for free.

Through collaboration with IDEO, News UK's own digital teams capabilities grew, enabling them to implement and evolve their new digital strategy. The capabilities of the newsroom grew, too: “The decision to move to four editions a day has freed up tremendous resources to focus on big stories,” says Emma Tucker, Editor of The Sunday Times—the kind of stories that "supercharge engagement." The approach is working: By August 2019 digital subscriptions had increased 19% year-on-year to 300,000, showing the progress the legacy publisher has made in attracting readers to its online proposition. Total subscribers for the two titles' print and digital products now stand at 539,000, and their websites total five million registered users.

More than 230 years after its first edition was published, the new Times has established solid footing in the digital age and designed its own future—one based not on the habits of its competitors but on its legacy and the reading behaviors of its audience.

How bucking the trend of round-the-clock digital publishing led to an enormous payoff for The Times and The Sunday Times.
Bucking the trend of round-the-clock digital publishing.
News UK
North America
News UK
The bold publishing strategy that turned a traditional newspaper Into a digital leader, digital publishing, news media, news experience, news consumption, News UK, media innovation, entertainment, digital media, technology innovation, digital products, digital transformation, digital experience, digital product design, UX design, creative leadership, leadership development, how to design a digital product, innovation, strategy, product design, research, transformation, leadership, creativity

“Building the last piece of software"

Lovable’s Nad Chishtie on designing at the frontier of AI.

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Article
Articles

Tucked away behind the brightly-colored restaurant fronts of East London’s Brick Lane is Second Home, a co-working space housing the design team of “vibe coding” company Lovable, one of the fastest-growing start-ups in history.

Founded in 2023 by Swedish software engineers Anton Osika and Fabian Hedin, and currently valued at $6.6 billion, Lovable’s mission is to make software development accessible to everyone, not just the 0.6 percent of the planet who are professional developers. The firm talks about their goal as “building the last piece of software.”

Nad Chishtie, Head of Design at Lovable, discovered his passion for building through his childhood obsessions with music, online gaming, and computers. Initially drawn to coding at the age of 8, he later “fell into design by accident” when he discovered he preferred problem-solving to programming. After stints at two hypergrowth companies, Cmune and Element, he had an epiphany. “With the launch of OpenAI’s GPT-3, I was able to do 70 percent of the coding work of seven full-time developers. I thought, ‘Everything's going to change.’” This realization led Chishtie to seek out the most ambitious people in this space, which ultimately led him to Lovable co-founder Anton Osika.

I spoke with Chishtie at Second Home about the skills people need to design with AI, Lovable’s unique culture, the pros and cons of collaborating with agents, and why humans—and optimism—will always matter. 

Art by Mark del Lima, with the help of GPT-5.5 Thinking and Adobe Firefly.

Ed White (EW): We’re increasingly hearing about a newer discipline called “design engineering” at companies like Lovable. What does that mean in practice?

Nad Chishtie (NC): It's essentially applying design thinking to code. Depending on your technical skills, design engineering could focus more on front-end development, microinteractions, or the architecture needed to support multiple initiatives. 

An interesting example of a design engineer is Niklas, who joined us as the team’s second designer and has a background in industrial design. Until last year, he hadn’t written code professionally. Now, he’s the third-largest contributor to the Lovable codebase. That’s because today there are two paths: Path A involves ideation, creating comps, and managing stakeholders, while Path B is about directly translating ideas into code with 100 percent fidelity. Path B wins a lot. It’s why Niklas’ learning curve was just a couple of months.

It’s difficult to find people with this skill set, but a single person with this shape can be as valuable as an entire team. 

Path B also means that, in design, we can drive initiatives forward without needing technical support or advocating for inclusion in the engineering roadmap. We can just implement ideas directly. 

Initially, some of the engineering leaders questioned why the design department was hiring engineers. But after we became productive, their response changed. Now, it's one of the most requested roles within our company.

EW: What mindsets or skills are required to be a successful design engineer?

NC: You need to be a very strong systems thinker. Instead of focusing on a specific solution, you’re developing the system that enables that solution to exist.

In classic lean startup methodology, the focus has been on specializing both people and products. With AI, you need to do the inverse and adopt a generalist mindset—for two reasons. First, it’s more challenging to constrain AI models than to let them operate freely. Second, by allowing models to evolve and get better without constraints, your product improves, too. By thinking like a generalist, your product expands its footprint in tandem with AI’s growth. To design at the frontier of AI, you need to invert your perspective.

EW: What’s different about designing with LLMs?

NC: When you design software as a service (SaaS), the main task is to design constraints that make the system more deterministic. With AI, the goal is to develop something that is somewhat deterministic and also truly generative. Because if it isn’t generative, then it’s not truly intelligent; it just mimics patterns or picks templates in the background. This marks a shift in design from focusing on hard constraints to providing a broader design direction, while maintaining certain guardrails. 

EW: How is working with these models changing design?

NC: From a technological perspective, we’re ruthlessly trying to reduce the time between having an idea and making it tangible. This applies to Lovable as a product and also to our internal practices. For instance, in our development pipeline, we’re trying to streamline processes as much as possible. If someone here has an idea and is curious about its viability, they can quickly tag an agent and receive immediate feedback. Today, it’s standard for a tech company to spend minutes, hours—even days—testing out a single part of their code base. Our goal is to reduce that time to zero. 

In terms of people’s time here at Lovable, there are no sunk costs with LLMs. We can adopt a more experimental mindset and go from a customer insight to a tangible iteration within a few minutes. Then, we can share that with more people, gather feedback, and decide whether to double down on the idea or delete it. It's totally acceptable to pivot because the turnaround cycle was minutes. 

EW: Lovable is one of the organizations that’s early to work with agents on a daily basis. What’s that experience like?

NC: We try to think of agents as if they were people. They need to have the proper context about how our team works, what’s important to us, the principles and philosophies behind our decisions, and what constitutes a good or bad decision. We have banks and banks of knowledge and skills that codify our thought processes for ourselves and for agents. They’re like a human employee onboarding Wiki, but for agents.

EW: What do agents do in practice, and what roles do they play in design?

NC: One role is called a “Linter.” You write some code, and then a Linter will dynamically check it against our codebase. A simple example is keyboard focus. Imagine you have an application with 20 different features that need to be added at various times. Keyboard focus can be quite invisible, making it challenging to maintain coherence. We have a skill bank dedicated to keyboard focus. If you’re designing or implementing a feature, a Linter might review your work and say, “With my end-to-end view of the application, this is how we think about keyboard focus. In the specific view you’re working in, you definitely should do it this way.” 

Another role is a “Sweeper.” Whenever you propose changes in a pull request, Sweepers conduct a variety of checks. For example, a Sweeper agent might say, “You’re introducing a new mental model for the user here. Here’s a list of related mental models that you should consider. Should we extend an existing mental model instead of adding a new one?”

The final role we’ve found very helpful is the “Critic.” These agents critique your implementations as thoroughly as possible. You can even ask them to imitate experts. For instance, you could prompt, “You are [Danish usability pioneer] Jacob Nielsen. I want you to critique this from a purely UX perspective.” The models are trained on Nielsen’s entire body of work, so you’ll gain insights that reflect Nielsen’s expertise.

EW: What’s been particularly effective for you when you use these agents?

NC: Prompting Critics to ask questions rather than make statements. General-purpose AI is overly sycophantic. Having Critics ask questions flips that dynamic. It keeps you in control, which is crucial since humans are ultimately responsible for the outcomes of these systems, and it encourages you to continuously critique your thinking. 

EW: As you work more often with powerful agents, what do you think the role of humans is?

NC: Human designers must be held accountable. We must create usable, desirable products that feel cohesive. I believe that across all mediums—be it film, TV, music, food, etc.—we have an innate ability to sense whether the people behind them genuinely care and what values guide their work. Do they value speed, a sense of luxury, quality, or something more experiential? I think the same applies to software. For Lovable, the experience of using our product is always the responsibility of the humans on our team; we don’t delegate that responsibility to AI. 

EW: How are team structures changing?

NC: I keep coming back to the word “asymmetry.” We used to build teams in very symmetrical ways at tech companies: you’d have a product manager, engineers, a designer, and possibly a data analyst. This cookie-cutter approach was easy for hiring and HR purposes, but it didn’t necessarily lead to the best products or user experiences. 

Today, team dynamics are evolving. Generalists can manage the entire design process—from user insights and analyzing data to building an initial product and testing it with users. A single generalist can deliver 20 times the value of someone focused on just one part of the process.

EW: What does that mean in terms of the people you look for?

NC: The “K-shaped” economy is an apt analogy for what we look for in design engineers. We’re seeing a split between those who are “AI native” and driven, and those who are more cautious about AI and hesitate. These two types of people are diverging significantly, with compounding effects in both directions. We hire people who are optimistic about AI’s potential and are eager to learn.

We also focus heavily on the slope of someone’s career trajectory—not just where they are today, but where they could be in this quickly evolving environment. During my introductory calls with designers, I spend time discussing their motivations for entering design, major influences from past roles, and self-initiated projects rather than just work history. 

Ultimately, a company’s success comes down to its teams and the products they build. The best team is the one with the highest learning aptitude.

EW: How do you create an environment or culture of experimenting and learning?

NC: One of our core values—“våga vara annorlunda”—means “dare to be different” in Swedish. We encourage our employees to challenge norms and embrace innovation by fostering an environment where failure is acceptable. We encourage rapid experimentation and urge individuals to continually challenge their own workflows. 

Many companies believe they need to adopt a single AI tool to write more code and then deploy it organization-wide. In contrast, at Lovable, we allow everyone to choose their own tools. It’s not only fun, but as the tools evolve and our understanding of how to use them expands, our organization adapts and grows as well. 

We have a few helpful rituals, too. Every Friday, we host open demos to showcase what we’ve been doing during the week. Someone might share, “I figured out this new approach that required overhauling our development environment. If we use agents in this new way, we could be 20 times more productive.” We celebrate these achievements as part of our onboarding process, in our Monday morning meetings, and during our internal company awards. 

EW: What’s important to remember when designing with LLMs?

NC: First, the models themselves are incredibly idiosyncratic; it's almost like having different children, each with their own strengths and weaknesses. To produce truly great outcomes, you need to understand these idiosyncrasies and build around them.

Second, you need to consider the entire system. You can't evaluate models, core product architecture, and user experience in isolation. You have to understand them all and integrate them to create a cohesive user experience.

EW: Any parting thoughts for designers?

NC: Be optimistic. Every door is open right now. I feel like a kid again, discovering technology for the first time. 

“Design in the Age of AI” is a series of conversations with designers and makers from across industries and disciplines, building the future with AI, today.

“To design at the frontier of AI, you need to invert your perspective."

Technology
AI & Emerging Tech
building the last piece of software, technology, digital innovation, ai, emerging technology, artificial intelligence, ai strategy

The AI dividend

The case for investing in the creative frontier.

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Article
Articles

Every CEO we talk to is focused on the same thing: using AI to become more efficient.

We call this the “AI Dividend.” The surplus of human bandwidth, creative energy, and organizational capacity that automation liberates. And right now, most leaders don’t have a strategy to reinvest it.

The organizations that win in the coming decade will not be the ones that automated fastest. They will be the ones that invested the resulting AI Dividend most wisely, redirecting it toward the unmeasured frontier where human creativity, judgment, and sensibility still reign. The AI Dividend is not a bonus. It is the seed capital for a fundamentally different kind of organization.

The efficiency trap

Art by Mark del Lima, with the help of OpenStudio, ChatGPT, and Gemini.

The instinct to automate is understandable. AI can now handle tasks that once consumed enormous human effort: synthesizing reports, managing logistics, coordinating schedules, and writing first drafts of code. Early adopters are seeing real gains. At Anthropic, they estimate that 90 percent of the code written to build Claude Code will soon be written by Claude Code itself. These numbers are not anomalies. They are signals.

But here’s the trap: If every competitor achieves the same efficiencies—and they will—then efficiency alone produces no lasting advantage. When the marginal cost of execution approaches zero, what differentiates one offering from another? Not speed. Not cost. The real advantage comes from pairing the efficiency gains with investment in an innovation capacity. 

The race to the bottom, where every product and service converges on the same AI-optimized median, isn’t a hypothetical. It’s already underway. Browse any social media feed, and you can see the first wave of it: AI-generated images, text, and video that looked novel six months ago, now blur into indistinguishable sameness. The term for this is "AI slop," and it will quickly become a problem for even the most well-intentioned companies. 

Leaders who focus only on efficiency will find themselves competing on price in a market where price advantages evaporate almost overnight. The smarter move is to think of efficiency not as the destination, but as the mechanism that creates room for something far more valuable.

The architecture problem

To understand why this moment matters, it helps to look at an earlier technological revolution.

When factories first electrified in the late 19th century, most owners simply swapped out the steam engine for an electric motor. They kept the same layout, the same belt-and-shaft system that transmitted power from a single central source to every machine on the floor. The factory was still designed around the constraint of steam. Everything had to be arranged near the power source, and the entire line ran at the same speed.

It took nearly 30 years for manufacturers to realize that the electric motor had completely changed the game. With small individual motors, you could put power at the point of use. You could rearrange the factory around the flow of production, not the flow of energy. The resistance to change was immense. Plant managers had spent careers optimizing the belt-and-shaft system. But once the unit-drive factory emerged, productivity gains dwarfed anything the old architecture could deliver.

Today’s knowledge-work organizations operate as modern belt-and-shaft factories architected not around value creation, but around the movement of information through large-scale enterprises. The layers of middle management, the endless meetings, the reporting structures, the approval chains—these are coordination mechanisms that evolved to solve a very specific problem. When the primary constraint on execution was how quickly and accurately information could flow between people, bureaucracy was the best available technology. Alfred P. Sloan understood the power of autonomy when he redesigned General Motors in the 1920s. He introduced what he called “coordinated autonomy,” giving division leaders more freedom to make market decisions while centralizing finance and operations. It was brilliant for its era. And every modern organization descends from it, but they have grown and been forced to add ever more layers of hierarchy to deal with the need for coordination. 

This is where the AI Dividend becomes transformative. Sloan’s vision can now be fully realized, and the resources that were once consumed by coordination and the organizational overhead of being big can now be redirected. The dividend is not just a few hours freed up on individual calendars. It is a structural surplus: the entire cost of managing complexity in ways that no longer require human intermediation.

Where the dividend should go

So, where should leaders invest this AI Dividend?

The answer is not “more of the same, faster.” The AI Dividend should be invested in a new, more nimble and dynamic organization at the creative frontier: exploring the unmeasured territory where AI models cannot yet operate and where human sensibility, intuition, and judgment create genuine differentiation. We see two opportunities at the creative frontier: to make existing ideas better and to create fundamentally new ones.

This is not abstract or aspirational. There are historical precedents, and they are remarkably apt.

When the Industrial Revolution flooded markets with cheap, uniform goods, the Arts and Crafts movement emerged in response. William Morris, working in 1870s England, looked at the mass-produced kitsch pouring out of industrial production and saw an opportunity. He built a practice around the premise that quality, taste, and creative judgment could produce things that machines could not replicate and that people would pay a premium for. From Morris came the entire modern design movement and the idea that, by making ideas better, quality and design can create differentiated value in response to technological commoditization. History is rhyming. AI is producing its own version of industrial slop, and the commercial response will follow a similar pattern. The organizations that invest in human creativity, taste, and judgment as a counter to algorithmic sameness will be fit for the new rules of competition. 

And there is a deeper layer to what makes this frontier valuable. Less frequently, but more dramatically, there are times when operating at the creative frontier can lead to fundamentally new discoveries. Consider Jackson Pollock. His drip paintings, created in the late 1940s, expressed fractal patterns with uncanny mathematical precision, decades before Benoît Mandelbrot described fractals as a formal mathematical concept. In the 1990s, a physicist proved that Pollock’s canvases contain precise fractal structures at multiple scales of magnification. Pollock was not doing math. He was operating in the territory between tacit knowledge and the unknown, sensing patterns that had not yet been codified and expressing them through a medium that had no algorithmic equivalent.

This is what the creative frontier looks like. It is the zone where human intuition grasps something real before systematic knowledge catches up. It is where new categories, new markets, and new possibilities are born. And it is precisely the territory that AI, by definition, cannot explore alone. 

A new architecture for productivity

Investing in the creative frontier is not simply a matter of telling people to be more creative. It requires building the organizational architecture that enables creativity and learning to be productive at scale. This is what we call the “Adaptive Organization.” 

An Adaptive Organization integrates both efficiency and innovation, optimizing around change rather than stability or consistency. It operates through small, highly autonomous teams that are maximally interconnected without hierarchical constraints, enabling fast parallel execution. Unlike traditional organizations built for predictable environments, it treats adaptability itself as the core competency—measured not by efficiency alone, but by the speed and capacity to evolve.

The blueprint for the Adaptive Organization is still being defined, but three early principles stand out:

1. Build smaller, more autonomous teams

The most productive organizations we observe today are not large hierarchies pursuing one strategy at a time. They are networks of small groups that operate with high autonomy and minimal coordination overhead. AI handles the connective tissue that used to require middle management: information sharing, resource allocation, and progress tracking. What remains is a team small enough to trust one another, move quickly, and take creative risks. The evidence is already strong. ElevenLabs organizes its 400 employees into 20 “micro teams” of five to ten people. Amazon’s “two-pizza teams” follow the same logic. Rather than hiring more managers, Moderna has deployed thousands of custom AI agents to automate coordination and has trained all 2,400 employees to be data-driven decision-makers.

2. Increase speed by operating in parallel

Legacy organizations often pursue one big bet at a time because their coordination costs make parallel activity prohibitively expensive. When AI absorbs those costs, you can run thousands of experiments simultaneously and execute the most promising strategies far more efficiently. In biological terms, it is the difference between a species that produces one offspring and bets everything on its survival and one that sends a thousand seeds into the wind. The latter adapts faster because it learns faster by doing. Every experiment that fails is data. Every experiment that succeeds is a new capability that accelerates progress.

3. Develop the creative capacity to translate the unknown into a competitive difference

This means investing in people and practices that operate at the frontier: people with curiosity, creative confidence, a bias to action, and a willingness to challenge dogma. Their job is not to optimize the known, but to sense what is coming next. It means building an organization that values judgment and taste, not as luxuries, but as the core capabilities that distinguish a premium offering from a commodity.

The compounding effect

Here is what makes the AI Dividend argument urgent rather than merely interesting: the dividend compounds.

When you invest freed-up capacity in the Adaptive Organization, you generate new insights and new possibilities. Those insights, fed back through AI-enabled systems, create new efficiencies and new capabilities, which free up more capacity, which you can invest in more exploration. It’s a flywheel. The organizations that invest the dividend first will not just have a head start. They will have a compounding advantage that accelerates over time.

Think of it this way. A company that uses AI only for efficiency is like someone who loses weight but never exercises. They are thinner, but not fitter. The company that invests the dividend in creative capacity is like someone who loses weight, feels more energy, starts exercising, builds strength, and finds they can do things they never could before. The fitness compounds. One change enables the next.

This also means that waiting is costly. The gap between early investors and late adopters will not be linear. It will be exponential. First movers who invest the dividend wisely get access to AI-accelerated creative tools, which let them invest even more productively, creating more advantage. The window for catching up narrows with each cycle.

The gardener’s mindset

None of this can be commanded into existence. You cannot mandate creativity. You cannot engineer emergence. And this is where leadership itself must change.

The leader of a belt-and-shaft factory was, appropriately, an engineer. The leader of a dividend-investing, Adaptive Organization is more like a gardener. The gardener does not make the plants grow. The gardener creates the conditions in which growth happens: the right soil, the right light, the right spacing, the right pruning. The gardener sets boundaries and provides resources. And then the gardener gets out of the way.

This means designing organizational structures that enable rather than direct. It means tolerating ambiguity and partial answers. It means understanding that the creative frontier, by definition, cannot be mapped in advance. You are not building a machine. You are cultivating an ecosystem.

The instinct of most leaders under pressure is to tighten control, to demand predictability, to optimize harder. That instinct is perfectly suited to the belt-and-shaft factory. It is lethal in an environment where the competitive advantage comes from adaptation, from sensing and responding to changes faster than the world throws them at you.

The average lifespan of a Fortune 500 company has been declining for decades. Not because these companies got worse at what they do, but because the environment around them changed faster than they could adapt to. AI has the potential to reverse that trend, but only if leaders use it to increase their adaptive capacity, not just their operational efficiency.

The dividend is real. It is already accumulating.

The door to the new economy is open. Are you willing to step through it?

You can find more of Tim and Joe's explorations of the future at theoasis.press.

“The smarter move is to think of efficiency not as the destination, but as the mechanism that creates room for something far more valuable."

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Rebuilding trust with AI

How personalization can change the game for financial services and health insurers.

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If you ask consumers whether they trust their bank or health insurer, the answer is often lukewarm at best. Traditional financial institutions are seen as opaque, distant, and—in the worst cases—extractive. In a recent survey, barely a third of people thought their bank was being honest and transparent about costs and fees. But this narrative misses a subtler, more hopeful trend: The very technologies customers once feared as “creepy” are now opening a path toward rebuilding trust—not by hiding behind compliance and branding, but by providing real, personal value that people experience every day.

At the heart of that opportunity is AI. But not the generic, algorithm-as-black-box that so often gets headlines in the press. I’m talking about AI designed to help people, surfaced in ways that feel insightful rather than intrusive, and that elevates the relationship between individual and institution. It has the potential to rewrite our skepticism of digital products. 

The myth of the “creepy algorithm”

We’ve long assumed that consumers recoil at AI and the use of personal data. But emerging evidence and our own work at IDEO suggest a more nuanced truth: People don’t mind institutions using their data if the outcome is genuinely helpful.

What consumers resist is not personalization per se, but value extraction masquerading as personalization. They reject opaque upsells, hidden fees, and pricing strategies that leverage data solely to maximize profit. Anyone who has filed their taxes with the most popular online filing software can attest to the repeated (and difficult to decline) requests to use their tax data and share it with third parties, or to pay for add-on features of dubious value. But consumers welcome insights that feel like guidance—a personalized budget forecast that suggests paying down a mortgage faster, or a care recommendation that anticipates a chronic condition based on patterns in medical claims.

Financial institutions need to know their customers to help them meet their goals, not just the company’s bottom line.

When AI becomes a bridge, not a barrier

This distinction reframes the role of AI from a technical feature to a trust-building mechanism across two dimensions:

Predictive empathy: AI can surface insights that anticipate people’s needs before they articulate them. Imagine a health insurer that detects early patterns of risk in claims data and nudges members toward preventive care—with clear explanations and options—rather than waiting for a crisis.

Clarifying complexity: Financial and health decisions are inherently complicated. Consumers often feel alone with high-stakes choices—choosing a plan, managing costs, planning a life event. AI can simplify decision pathways, outline “what good looks like,” and benchmark personal choices against broader patterns of positive outcomes.

This is not theoretical. Customers are more open to institution-driven AI guidance than third-party general-purpose AI tools, precisely because of contextual relevance. While 79 percent of US consumers are uncomfortable with AI providing medical advice, a majority are open to AI supporting tasks like after-visit summaries and follow-ups.

In recent work we completed for a network of financial advisors, for example, we found that a customer’s trust in their financial advisor alone was not enough. They needed to believe that the plan presented to them met their needs and was likely to succeed, given the current market and their own financial situation. Unfortunately, too many financial institutions are seeing an opportunity to replace people with machines. When, in fact, there’s now an entirely new opportunity space of using generative AI to show, rather than tell, customers why they should have confidence in the path forward. People build trust. Digital tools can build confidence through what-if scenario planning, natural-language explanations, and the ability to have back-and-forth conversations whenever people want, without fear of asking “stupid” questions.

The unleveraged assets: contextual data and human intent

Banks service millions of accounts across life stages. Health insurers care for diverse populations across care journeys. These institutions are regulated to protect consumers, and in theory, succeed when their customers succeed. Yet traditionally, the relationship has been transactional: accounts, premiums, claims, and products.

AI changes that calculus. With careful design, institutions can translate the data they already hold into guidance that feels humane and useful. What might that look like?

  • A bank dashboard that explains how spending patterns today impact long-term financial goals tomorrow in plain language, with actionable suggestions.
  • A health insurance experience that models likely care pathways based on clinical evidence, population outcomes, and expected out-of-pocket costs, helping members choose care confidently.
  • Alerts that not only flag risk—say, missed medication adherence—but also provide contextual support options, such as care coaches or financial assistance resources.

We don’t have to imagine far into the future to see what this looks like—we can actually see it in the not-too-distant past. When IDEO worked with PNC to develop their online banking platform, Virtual Wallet, one of the most compelling features for customers was a calendar that visualized “Danger Days”—days when their balances would be low, and they were most likely to overdraft. During a time when banks were making big profits by optimizing their technology to increase overdraft fees, PNC went in the opposite direction, helping customers avoid fees they despised and improve their financial lives. The result was an award-winning product that led to millions of new accounts.

This reframes data use from an internal optimization tool to a shared resource that benefits the member first. As banks bring generative and agentic AI to the masses, that could start to look like suggesting specific actions customers can take to reduce spending when cash flow is tight, or automatically splitting bills that fluctuate in cost, such as groceries and utilities.

Why incumbents have a strategic advantage

New fintech and health tech startups often don’t have to contend with years of technology debt and legacy systems, but they do suffer from a cold-start problem: They lack deep context. They may ask users to upload data, recreate history, or deduce preferences from limited interactions. Meanwhile, incumbent banks and insurers already have longitudinal data spanning life events, regulatory frameworks ensuring baseline protections, and direct experience managing risk at scale.

These are more than just advantages—they are assets waiting to be mobilized to build trust.

A new contract between people and financial institutions

Rebuilding trust in financial services and health insurance isn’t just a matter of better algorithms. It’s about redesigning relationships and using AI to make institutions advocates for individual success.

It’s easy to imagine continuing with the status quo: adding a chat interface to a mobile banking app that relies on existing functionality, for example, or offloading the most commonly-requested customer support tasks to an agent to reduce call center volume. 

That’s not to say that there isn’t merit in some of those approaches. But, in a world where AI can feel impersonal and inscrutable, there is an opportunity for these institutions to shine by making AI personal. That’s not only good design. It’s good business, and it’s good for society. The question isn’t whether AI can help. It’s whether we will use AI to help people—boldly, compassionately, and with trust at the center.

Working to build trust with your customers? We’d love to help. Get in touch.

“People don’t mind institutions using their data if the outcome is genuinely helpful."

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Make the invisible honest

And 6 other principles for designing AI hardware.

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For decades, the typical relationship between humans and hardware was a straightforward one of command and control. We pushed buttons; machines performed tasks. But as AI migrates from our screens into our physical environments, the nature of that relationship is shifting: Computation is becoming a nondeterministic presence.

So far, the industry seems to be caught between what users actually want and the sci-fi fantasies currently captivating the tech community. Rather than marrying what’s technologically feasible with what people need, companies are bolting AI onto everything, shipping tech demos as finished products. The result is half-baked experiences traded for focus, and speed traded for agency and privacy. A better path means establishing a new standard in which trusted, useful intelligence serves the physical world.

For us, it means designing under these seven principles for good AI hardware, inspired by the timeless rigor of Dieter Rams, and setting the conditions to put them into practice. 

1. Good AI hardware is mutualistic

Art by Mark del Lima, with the help of OpenStudio and ChatGPT.

AI is not a deterministic layer of software trapped in plastic. Designed well, it is a partner in human flourishing. We build hardware rooted in mutualism: the device learns from the perpetually shifting nuances of human intention, and the human grows through what the device makes possible. More than optimization, it is a shared evolution between person and machine.

What might that look like?

The Household Reflection Mirror

A bathroom mirror is designed without predetermined health goals. It comes equipped with sensors, models, and processing power, but without a built-in definition of what “better” means for you. That definition emerges through use.

In the first few weeks, the mirror observes your behaviors without interpreting them. Over time, patterns surface that you implicitly confirm or contradict through your actions. You linger on certain readouts. You ignore others. Slowly, the device constructs a model of what matters to you, not what a wellness framework says you should care about.

After three months, the mirror notices your sleep quality degrades during a particular recurring time of the week. On Monday morning it surfaces a single line beneath your reflection: “Sleep is typically shorter on Mondays.” The next Sunday, you go to bed an hour earlier. The mirror notices. Over time it learns what kind of attention you actually respond to, because you taught it through the way you live and react. The device you have at the end of the year is not the one you started with—and neither are you.

Without your input, it is a capable system with no inherent sense of purpose. Without it, you miss a form of self-knowledge you didn’t know you needed. Closing that gap together is the essence of mutualism.

2. Good AI hardware is off by default

Truly human-centered hardware requires intentional consent to engage. Privacy isn’t an afterthought; it is a foundational design requirement. Until there is consent and utility, we reject the always-on model of technology. We design to respect the privacy of our homes and lives, so that technology enters our cognitive space or observes our physical space only when we consent. Good AI hardware is something you want around, that makes you feel safe.

What might that look like? 

The Consent Door

A front door knob has a small illuminated ring at its base. When you arrive home, the ring pulses once, dimly and unhurried. It is asking for your attention.

Twist the knob the way you normally would to unlock the door, and the ring goes dark. The house stays quiet. No sensors wake. No systems are activated. You are home, yet the home does not know it.

Twist the knob the opposite way before you enter, and the ring glows brightly. The AI features of the home come online. The thermostat starts learning. The mirror observes. The kitchen listens. You’ve made a conscious choice with your body before you crossed the threshold.

Guests see the same dim, illuminated ring when they arrive. They face the same choice. The house never assumes.

3. Good AI hardware is aesthetic

A piece of hardware should improve the aesthetic or emotional vibe of a space or interaction. With all the focus on the AI, it’s easy to lose sight of how intentional and sensorial the hardware has to be to provide value. We lean into creativity by using ergonomic forms, tactile textures, and haptics to create objects that feel like art or furniture while having capabilities suited to their use. The best AI hardware is crafted with intention for its role in our environments. 

What might that look like? 

Climate-Aware Window Glass

A sheet of AI-embedded  glass replaces a traditional living room window. The glass learns sunlight patterns, outside temperatures, and occupants’ daily rhythms. When the afternoon sun becomes harsh, the glass subtly softens and diffuses the light, giving the room a warm, painterly glow. On cold winter mornings, it lets in full sunlight to warm the space. There are no visible controls and no notifications. The window functions as an intelligent material, shaping light and heat in ways that feel natural, healthy, and beautiful.

4. Good AI hardware makes the invisible honest

AI hardware should communicate its state, data usage, and limitations through intuitive physical cues. Sensors now extend far beyond cameras and microphones into biosignals, radar, emotion recognition, and neural intent. Technology can understand us in unprecedented ways, which creates unprecedented room for distrust. It’s crucial that we replace vague terms and conditions and labyrinth privacy settings with transparent, real-time feedback, and make the invisible visible. Honesty is the only foundation for a lasting relationship with intelligent technology.

What might that look like? 

Visible Cognition Display

A small home security camera sits near the front door. Inside the door is a narrow strip that displays what the AI believes it sees in plain language. When someone approaches at night, it writes: “Face scan attempted. Low light. Result unreliable. Door stayed locked.”

The system reaches the edge of what it can confidently do and stops there, telling you exactly why—and that restraint is the point. A device that surfaces its own limitations in real time is making a fundamentally different promise than one that acts with false confidence and hides its reasoning. That promise, repeated across thousands of small moments, is how trust is genuinely built.

5. Good AI hardware is minimally intrusive

The ultimate goal is to improve our lives in the physical world, not to keep us tethered to a digital one. We need to design for the disappearing act by ruthlessly stripping away unnecessary screens and notifications, and removing friction between humans and their environments. We need to design to follow user intent, using the superpowers of AI to understand user needs and respond in simple, clear ways. Whenever possible, we embed AI into existing rhythms and daily flows, rather than requiring people to pick up new habits. 

What might that look like?

The Context-Aware Notification Pebble

A small, smooth stone is connected to your devices. When something truly important comes in—a call from family, a hard-to-get dinner reservation, a flight deal on a trip you’ve been planning—the pebble gently glows. There are no sounds. No vibrations. No screens. Just light.

If you pick it up, the message is faintly projected onto the desk. For matters that require a decision, the system has already done the legwork. It held the reservation. It queued the flight deal. The pebble presents you with a choice, not a task. A single tap confirms your decision. The pebble stops glowing, and life continues as normal.

If you choose to ignore it, the pebble turns off on its own. The system respects your attention instead of competing for it.

6. Good AI hardware is honest about its capabilities 

We design hardware that delivers on what technology can actually do, while meeting real user needs. Good design speculates and continues to evolve as technology improves, but it does not hinge on speculative promises it can’t meet (and which inevitably let users down). We focus on the high-fidelity reality of what a device can do now, making the hardware a reliable anchor as technology improves rather than a vessel of far-reaching hype.

What might that look like? 

The Tutor Tablet for Children

A child asks the intelligent tablet a complicated science question. The device pauses and displays the message: “I am not certain about this answer…  Would you like me to look it up with you?” When the model is unsure, it offers sources or invites the child to explore the topic together. Sometimes it even says: “I might be wrong. Let’s test it…”

In this way, the child learns two important lessons: the scientific method and the understanding that intelligence, whether human or artificial, involves humility.

7. Good AI hardware respects the Earth

We reject creating unnecessary devices that contribute to the global e-waste crisis by staying attuned to real user needs. When we build, we design for longevity through repairability, modularity, and circularity. From the selection of materials to the ease of recycling at the end of a product’s life, good AI hardware takes responsibility for its physical footprint. We build tools that are meant to last, not to be discarded when the next software update arrives.

What might that look like?

The Modular Home Intelligence Hub

A small wood and aluminum hub sits on a shelf, running local AI models for the home. Each component slides out like a drawer: Compute, Storage, Radio, Battery, and Sensor Array. While these modules are functionally co-dependent, each one is discrete. For instance, whenever new AI chips are released, the owner can simply replace only the Compute drawer.

The device also maintains a lifetime material dashboard:

Operational life: 8 years
Upgraded components: 2
Material saved vs. replaced: 4.3 kg
Energy used this month: 2.1 kWh

The hub processes most workloads locally to minimize unnecessary cloud energy consumption. Instead of being replaced every few years, it ages alongside the household.

Putting the principles into practice 

It’s one thing to create a list of principles. It’s another to make them part of our work. To uncover real human needs, we do research with people in their homes, learning where they want machines to help and where they want to stay in control. Leveraging emerging tools like 3D printing, AI-accelerated prototyping, and generative design, we move from insight to artifact quickly. Rather than just rendering a sensor, we build it. Rather than speculating about how friction feels, we test a physical interface in someone’s home and let their reaction tell us what to do next. We hold creativity accountable to what’s technically viable and commercially scalable, so the visions we make are ones businesses can actually act on.

We are moving past the era of experimental AI and into the era of specialized, high-performance hardware that permeates our everyday lives. The only way to succeed in the market is to earn a permanent place in people’s  lives through trust and utility. By anchoring what we build in these principles, we move beyond the hype and into producing hardware that people actually want around. That is the standard we are building toward.

(Looking for a partner to build AI products with? Get in touch.)

"A better path means establishing a new standard in which trusted, useful intelligence serves the physical world."

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make the invisible honest, technology, digital innovation, ai, emerging technology, artificial intelligence, ai strategy, hardware, physical computing, prototyping, product design

Lindsey Turner

I’m passionate about building brands, products, and experiences that help organizations show up with meaning and momentum.

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I help organizations cut through complexity by shaping how they show up, through brand strategy, identity, and storytelling.

Working at the intersection of brand and business, I bring an editorial eye and a bias toward making—turning ideas into tangible experiences that people can understand, trust, and believe in.

My work spans government, healthcare, financial services, media, and consumer goods, from launching Gen Z-focused ventures to building innovation labs and reimagining legacy brands. I relish moments of ambiguity and enjoy translating across teams, perspectives, and priorities to move ideas forward.

I started my career in editorial and digital design, shaping cross-platform experiences and identity systems in publishing and agency environments. That foundation still shapes how I work today: I’m detail-oriented, collaborative, and overreliant on the Oxford comma. I hold a BFA in Visual Communication from the School of the Art Institute of Chicago.

My tween twins teach me more about technology and gen-alpha than the last decade of trend reports.
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Rachel Young

My work helps organizations see who their products aren't working for—and build the will and the tools to do something about it

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For 25 years, I've asked the same question: Who does this design exclude—and what are we going to do about it?

My work spans human-centered strategy, inclusive design, and qualitative research, with clients ranging from Microsoft, Google, and Verizon to the National Science Foundation, and San Francisco Unified School District.

Before IDEO, I taught elementary school in East Palo Alto and spent a decade doing design work with social service organizations—where I learned firsthand what it costs people when systems are built without them in mind.

I am currently writing User Error, a nonfiction book about digital access and the design decisions behind it. I live in Oakland, California.

The greatest project to which I’ve ever contributed is raising my two daughters with my husband.
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Brian Pelsoh

I lead with craft, ensuring our work is creatively excellent: rooted in deep human insight and imagination, while also grounded in the realities of business and technology.

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My expertise spans brand, communication, and product design across tech, education, the arts, and social impact.

I believe great work demands both high-level vision and obsessive attention to detail, and only happens through collaboration.

I bring an inclusive, hands-on approach and a deep understanding of business, which enables me to consistently deliver excellence while always asking why.

Before joining IDEO, I worked at the brand firms Pentagram and VSA Partners. I began my career as a designer, leading teams at the School of the Art Institute of Chicago and the Milwaukee Art Museum. I hold an MFA in graphic design from Maryland Institute College of Art and a BFA in communication design from the Milwaukee Institute of Art & Design, and have taught at some of the best design schools in the US.

I love a good crit.
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Tony Wong

I am responsible for IDEO’s long-term success in China and working with clients to use design as a tool to enable growth.

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I am responsible for IDEO’s long-term success in China and working with clients to use design as a tool to enable growth. Specifically, I have helped Chinese companies design holistic brand solutions through the development of their products, communication, services, and innovation teams, and I have helped multinationals expand their presence and influence in China.

I advise global leaders on developing China-led innovation and capabilities.

In over 15 years in IDEO Shanghai, I have worked on projects that use design to elevate the quality of the experience of healthcare products and services, streamline processes that increase productivity, create spaces and programs that promote and enable inclusive communities, and build next generation mobility solutions that are planet-positive.

Before joining IDEO, I worked at Philips Electronics and the Electrolux Group in Italy, the Netherlands, and Singapore on a number of breakthrough commercial products. I am a member of the Young President Organization in Shanghai.

I have a thing for antique maps.
Developing China-led innovation and capabilities'
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How to use AI as an editor, not a writer

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Ed White shares how he uses AI as an editor—not a writer—to sharpen storytelling, rehearse ideas, and preserve the productive friction that makes creative work better.

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Ed White has a rule he's tested on his own writing: hold yourself as the writer, and let AI be your editor. Ed is a Senior Design Director at IDEO's London studio, where he co-leads the firm's AI portfolio across Europe. Before IDEO, he spent 12 years as a writer and editor at the Financial Times, Wired, and Contagious. So when he talks about when to use AI for storytelling and when not to, it comes from two decades of crafting his storytelling skills.

In this episode, Mina Seetharaman talks with Ed about two specific tools he uses to keep AI in an editor's seat: a "roasting agent" prompted to critique his drafts without any sugarcoating, and a simulated audience he rehearses pitches on before the real thing. They also get into what Ed is hearing from design leaders at Anthropic, Lovable, Shopify, and Google Creative Lab about how creative work is changing, and why he thinks the friction of writing something yourself is worth protecting rather than automating away.

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Building a personal AI for the messiness of life: Sida Li

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Becca Carroll talks with Cue co-founder Sida Li about designing a personal AI for the messiness of everyday life—not just work. They explore how Sida stays anchored to human needs while navigating fast-changing technology, product tradeoffs, business-model experimentation, and the realities of building an AI company today.

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Most AI products today are built for work—a space with clear problems and established systems. One founder noticed a gap: personal life is messier, harder to systematize, and mostly left behind by the AI boom. So she built Cue, a personal AI that lives inside iMessage and group chats, to go where the other tools haven't.

In this episode, Becca Carroll, IDEO's Chief Strategy Officer, talks with Sida Li, co-founder and CEO of Shared Context Lab, about staying anchored to a human need while the technology around her keeps changing shape, why she treats her business model with the same rigor she'd bring to a product, and what it feels like to build a company at this particular, disorienting moment in AI.

The conversation also gets into how Sida makes design decisions: the language Cue uses to describe itself, the tradeoffs behind building inside iMessage instead of a new app, and a real story about a business idea that didn’t pan out.

This is the second in a two-part series profiling founders from IDEO's Startups-in-Residence program. The first conversation is with Johannes Seemann, founder of Sooner, on designing GenAI for the emotional side of money.

Health
AI & Emerging Tech
Technology
Learning & Work
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Designing GenAI for the emotional side of money: Johannes Seemann

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Designing financial tools around the feelings that shape money decisions.

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Most personal financial tools are built to run the numbers and optimize towards a budget. While that works for some, most people experience money as a lived relationship that does not neatly fit into a spreadsheet. Johannes Seemann and Becca Carroll discuss why money is emotional before it is mathematical, and what a human-centered approach to building a generative AI financial product looks like in practice.

Health
AI & Emerging Tech
Technology
Financial Services
Learning & Work
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The curious leader's edge in uncertainty: Scott Shigeoka

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How genuine curiosity helps leaders navigate uncertainty with greater confidence.

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Mina Seetharaman talks with Scott Shigeoka, author of Seek and Head of Curiosity Cultivation at the Eames Institute, about what distinguishes genuinely curious leadership from performative curiosity, how power dynamics shape curiosity, and why practicing curiosity can restore energy rather than drain it.

Learning & Work
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