The news is under more pressure than ever
< thinking

The news is under more pressure than ever

Here’s how to design for it.
words:
Lindsey Turner
Papa Akuffo
visuals:
No items found.
read time:
10 minutes
published:
May
2025

In one of our first workshops with a veteran public media organization, an editor told us they needed ways to bring in new viewers while maintaining their credibility. “If you look at TikTok and Insta, it’s fluffy ‘me’ content…that’s what people are watching,” he said. That tension—between commercial pressure and editorial purpose—was palpable. The organization needed to evolve without losing the very principles that make news valuable.

The news industry isn’t just undergoing a crisis—it’s grappling with existential freefall. News is increasingly commodified and polarized, with rampant misinformation and blunt-force efforts to blur the boundaries between propaganda and fact. Technology—and AI specifically—are cracking open how we experience news and how content is created. Algorithms are growing ever more ambitious in their quest to deliver information tailored to our every whim. At the same time, the zeitgeist pulls the strings, pushing news consumption toward shorter, snappier, more visual experiences, leaving readers with less incentive to pay for it. All while subscription fatigue deepens.

But it’s not all catastrophe! News organizations can rebuild trust and resilience by leading with core differentiators and using technology to deepen impact rather than chase trends. IDEO has worked with many outlets—from national newspapers to niche publications—and we’ve come away with some hard-won lessons for designing for what matters: trusted, viable publications that support the craft of journalism and the readers and listeners they serve.

Trust is earned, not engineered

The more crowded the landscape, the greater the demand for reliable information, and the more critical the integrity of those who deliver it. Successful brands build trust by owning what makes them unique, whether that’s a stalwart reputation for journalistic excellence or a tailored offer to a niche audience. That clarity builds loyalty. News outlets need to avoid trying to be everything to everyone and anchor in what only they can offer: trust, delivered with integrity and intention.

Humanity matters, too. Readers are more likely to engage with content when they feel a sense of connection—when it’s clear there’s a real person behind the words. That’s part of the appeal of platforms like Substack and Medium, which offer personalized, niche content alongside direct access to individual writers. In our work with a national news outlet, one reader shared that he often reached out to journalists, not expecting a response, but just wanting to connect. When he did hear back, the unexpected thrill deepened his loyalty to the publication. News organizations looking to build trust can design for those connections by creating new elements like newsletters from particular reporters or live digital events where readers can engage directly with their favorite writers.

AI is not a strategy

Despite the doomsday proclamations about AI becoming the death of journalism, it may be one of the most promising tools for keeping it alive. Deployed correctly, it’s an accelerant rather than a replacement—a powerful means to help journalists offset menial tasks like transcriptions and copyediting. It brings additional data-driven objectivity to content without adding to reporter workloads. The technology that supposedly threatens to replace us may free us to do the work only humans can do: investigate the facts and elevate what matters.

On a recent project, we were exploring how AI could unlock deeper, more layered storytelling by mining the client’s vast content archive. We imagined a digital experience where a story doesn’t just relay the facts of an event, but also shows how it unfolded over time, maps where it happened, surfaces the key players, and connects the dots to similar stories from the past. Some folks in the newsroom were admittedly skeptical, both in terms of maintaining editorial integrity and fear of overburdening busy reporters with new tasks. So we built a custom ChatGPT-based prototype: no third-party data, just their own archives, stitched together into a dynamic proof-of-concept. We won over our client by showing that the technology could augment their excellent reporting while streamlining the editorial review process.

But AI isn’t the solution to every problem. As we were prototyping, we created a custom chatbot that allowed readers to “talk to” an article, riffing on the rise of voice-to-text interfaces and conversational AI. It seemed promising, but it fell flat. Users found the interaction awkward and unnatural—even those comfortable with Siri or Alexa said it felt off in a news setting. On the editorial side, it felt like a poor replacement for journalist Q&As. Readers made it clear that even if a ChatGPT-powered AI can synthesize articles with dazzling coherence, it doesn’t beat a feeling of connection with real human reporters.

Don't shrink perspectives—expand them.

Everyone talks about personalization like it’s the panacea for all things digital. But personalization is often just an exercise in subtraction—editing things out until only the familiar remains. The result is a tighter feed, but usually a narrower perspective. In our many projects with news organizations, we heard again and again from readers and listeners that they come to the news because they want to learn something new, to broaden their horizons, and to have smart things to say to their friends and colleagues.

On a project with a U.S.-based media organization, readers told us that editorial curation was key; if they were only fed news that catered to their own interests, they were afraid they’d miss out on important stories. This sentiment was especially true for readers paying for news. They were willing to invest money because they trusted the outlet to tell them what they needed to know, not just what they wanted to know. One research participant told us that one of his favorite series chronicled the drama behind the acquisition of an elevator company. And yet, “if they’d asked me if that’s one of my topics of interest, I’d have said ‘no.’” Another noted they would generally choose to skip sports coverage, but didn’t want to miss big moments like Simone Biles performing at the Olympics. Many readers are wary of filter bubbles and want to be aware of what’s happening in the world.

Less feed, more focus.

Personalization isn’t just about which stories you get, but also about how you access them. News products must offer flexibility in format, shifting seamlessly from mobile to desktop, from text to audio, from immersive deep dives to quick AI-powered summaries. For a UK-based client, we identified three user modes—Skimming & Dipping, Exploring, and Chilling—and designed different ways to engage with different formats at key moments in the day. The goal was thoughtful curation that feels like discovery, not a narrowing of options.

Volume is also important. A few years ago, we worked with The Times of London as it struggled to stay relevant in a 24/7 news cycle. Our research revealed readers didn’t want more breaking news—they wanted perspective. They wanted The Times to be the adult in the room, not another endless feed. So we designed a product anchored in four daily drops—carefully curated digital editions that refreshed throughout the day. This decision freed up tremendous resources, allowing the newsroom to focus on big stories. By moving away from the churn and toward intentionality, The Times saw a 19 percent year-over-year increase in digital subscriptions.

The approach also fulfilled a need we heard about across these projects. People don’t want to doom scroll; they want to get informed, then get to the end of the news. Unlike social media, where personalization means serving more of what users already like, news algorithms need a different intention.

Silos are the enemy of innovation

Creating a great digital news experience requires untangling the messy process of how that news is made and delivered.

That starts with creating an ownable product vision that teams can rally around, and a strategy that’s authentic to the current organization and aspirational for the future. When we worked with a PBS member station, we developed a vision anchored in a shared sense of place that centered local voices, reflected the region’s cultural richness, and positioned the organization as a neighborhood pillar and a global voice. Their CEO called the work “a vision we can achieve,” noting that it was both inspirational and actionable, designed to galvanize the entire organization, not just leadership, toward renewed purpose, greater trust, and lasting impact.

It’s also essential to break down the silos that separate editorial, product, and tech teams, making it easier to communicate across departments, so people feel invited to bring their unique lens to major product updates. This is not an invitation to design by committee! Creating space for people to surface ideas and red flags early helps with product innovation (the best ideas can come from unexpected places) and organizational buy-in (as people are more inclined to support what they help create). One of our clients started a cross-functional design council to bring new voices to the table. As we worked with another client to build a new editorial product, IDEO led critiques with teams across its newsroom, subscriptions, advertising, and brand departments, and also hosted demo hours to let a larger group of stakeholders in on the creative process.

Once teams are united around a shared vision and working cross-functionally, they need a place to de-risk ideas. In such an evolving industry, it’s critical to learn what works (and what doesn’t) fast, putting ideas in front of the end user early and often. An experimentation sandbox allows teams to test new ideas in the wild. One of our clients built a beta app to test feature updates and rolled it out to the entire newsroom and a small panel of subscribers. By shipping and iterating quickly, the team got the app into the hands of readers fast and updated it in real time, building confidence in useful features and avoiding investment in the ones that weren’t working.

A more human future for journalism

The promise of news has always been to teach us something new—to expand our sense of the world and how we fit into it. At its best, it challenges our assumptions, sharpens our thinking, and gives us new reasons to engage with one another.

But that promise only works if we trust the process and the organizations behind it. If we believe the stories are the product of care, curiosity, and intention. That’s why how the news is delivered matters just as much as what it says. The best digital experiences don’t just inform; they reflect an understanding of who we are—our needs, our frustrations, and our desire for something that feels both technologically sophisticated and unmistakably human.

No items found.
No items found.
Lindsey Turner
Executive Design Director
Lindsey builds brand strategies, identities, and experiences that help organizations show up with meaning and momentum. A former editorial art director, she cuts through complexity with a sharp eye, a strategic lens, and an overreliance on the Oxford comma.
Papa Akuffo
Director
Papa is a Product Director with deep experience in delivering new digital products and services into the market. He is focused first on building the right thing, then on building the thing right. Specialising in putting together effective digital teams is a critical part of how Papa works to get the best products validated and built.
No items found.
No items found.

Get in touch

Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form.